A Royal Famille-Rose Enamel Vase with Butterflies Pattern, Guangxu Seal Mark

4 months ago

Lot No. :PYG-190726
Centuries of Style:Guangxu Emperor (1*) of Qing dynasty (1644-1911)
Feature:A fine official ware vase, famille-rose enamel (2*).
Source:Private collection
1* The Guangxu Emperor (1871-1908), personal name Zaitian, was the tenth Emperor of the Qing dynasty, and the ninth Qing emperor to rule over China proper. His reign lasted from 1875 to 1908, but in practice he ruled, without Empress Dowager Cixi's influence, only from 1889 to 1898. He initiated the Hundred Days' Reform, but was abruptly stopped when the empress dowager launched a coup in 1898, after which he was put under house arrest until his death. His regnal name, "Guangxu", means "glorious succession".
2* Famille-rose, is the group of Chinese porcelain wares characterized by decoration painted in opaque overglaze rose colors, often involving shades of pink and carmine. These colors were known to the Chinese as yangcai (“foreign colors”) --In the Qianlong reign it acquired the name yangcai, but in the Yongzheng reign it was known as ruancai (soft colors)-- because they were first introduced from Europe (around 1685). The enamel paint used was originally the type of glaze applied to metal wares, such as cloisonné, and was adapted to porcelain after it entered China. The best quality famille-rose export wares date from the Yongzheng period (1723-1735). Compared with the transparent famille verte enamels of the previous Kangxi period (kangxi wucai) this new opaque palette could be fired at a lower temperature and had a wider color range. During the Yongzheng reign, famille rose wares reached their zenith, replacing the famille verte of the Kangxi reign and becoming the dominate palette in overglaze decoration. During the Qianlong reign, new techniques continued to develop. Typically the details of the decoration was filled in within outlines rather than 'boneless'. More colors began to appear as the background. The decoration was painted not only on a white transparent porcelain glaze but also on colored backgrounds such as yellow, blue, pink, coral red, light green, 'cafe au lait' and (Batavia) brown, etc. The designs also grew increasingly complex. Famille rose porcelain reached a climax of perfection at Jingdezhen under the directions of Nian Xiyao and Tang Ying, and continued with great delicacy through the Qianlong period (1735-1796). However, fencai did not appear in official records until the beginning of the 20th century.


MAKE AN INQUIRY

For more information, visit China Private Art Collection and Exchange Association

433